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Posts published by “David Yearsley”

Bred To Kill

(Amidst all the pugilistic politics marking Mexican-American relations of late, the Musical Patriot limbers up a column that trotted into the ring of public opinion ten years ago, in May of 2015.) Although the singing…

High-Altitude Sonic Tonic

In these days when the formerly public sphere is balkanized by billions of individualized audiotopias in which so many are plugged into their own algorithmized soundtracks, the actual choosing of music for a road trip…

Over There: Isolating War Music

When war broke out in Europe in early August of 1914, that month’s edition of The Etude, America’s “Journal of the Musician, the Music Student and all Music Lovers,” had already appeared. The editor, James…

Keyboard Energies

Just think of all the nervous energy coursing through all those kiddies lined up for this Sunday afternoon’s piano recital. And then think of all the victims of this ritual that came before and of…

Cry Me A River: Bach’s Sustainable Hydropower

Water is a frequent image in Bach’s music. Placid rivers sing the praises of enlightened monarchs. Other streams rush by, murmuring their eternal truths of earthly life’s fleeting nature. Elsewhere, storms rise up, from strafing…

Wind Work

If the organ is the King of Instruments, its monarchy is built on deception. The largest, most technologically complicated, most tonally diverse, and most visually stunning of musical objects, the organ was often held to…

Tariffs & The King

The report to President Nixon submitted on June 11th 1971 by the U. S. Tariff Commission considered the petition of the “Pipe Organ Workers Federal Labor Union, AFL-CIO, with the assistance of the United Furniture…

Acknowledging Art

In American academic institutions it is now common practice, though by no means universal, to begin conferences, convocations, and even the occasional concert—though not yet, in my experience, sporting events—with land acknowledgements. These lay out…

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