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Posts published by “David Yearsley”

New Bach, Old Doubts

Bach is back, bigger than ever and just in time for the holiday buying season in this 275th year since his death. The bicenterquasquigenary Bach buzz reached a frenzied fortissimo after last week’s officially sanctioned—not…

Wigmore Wonders: The Dunedin Consort In Praise Of Purcell

A conductor waves his arms in front of other musicians. The audience usually sees the maestro (less often maestra, still) from the back. Hidden from the concertgoers during the performance, the conductor’s face can convey…

Aeolian Amrum: Found Sound, Lost Childhood

Nature makes music—the wind, the waves, the rain, the rustle of leaves, the creak and complaint of trees. The human impulse to transform these sounds into something that might be called Automatic Art spawned the…

Eternal Spring: Emilie Mayer In Autumn Berlin

The 19th century developed industrial-aesthetic machinery to keep women who harbored public musical aspirations in their place—off the concert stage and in the home. One of the most potent of these tools was the printed…

King Of The North Sea: The Glories of Göteborg Organ Culture

The Christianization of Scandinavia took place over a few hundred years and was completed by the early 12th century thanks to Sigurd the Crusader, the Norwegian king who subjugated the intransigent pagans of southern Sweden…

Walls of Shame, Hall of Fame: Barenboim in Berlin

The Berlin Wall was breached on the night of November 9th, 1989. The German Democratic Republic was done. East Berliners poured through the suddenly opened border, stood on top of the “Anti-Fascist Protection Rampart” (Antifaschistischer…

L’Opera è Mobile: Rigoletto in Berlin

Opera thrives on competition as much as collaboration—on who can sing higher, louder, longer, more passionately; what production can seduce or scandalize most abundantly; which company can hoard the most prestige while staving off bankruptcy…

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