I pruned trees for a woman in Berkeley who always had her television on. Loud. She would invite me in after I was done with my work, serve me lemonade, and write me a check while soap opera actors on her gigantic television screen emoted and spoke to each other as no humans have ever spoken to each other except in soap operas and bad plays.
Posts published by “Todd Walton”
The day before Opening Day of Baseball Season 2015, Lon Simmons died at the age of ninety-one. Lon and his broadcasting partner Russ Hodges were the San Francisco Giants radio announcers when I was a boy and a teenager, and Lon’s voice and laconic style are etched in my memory as deeply as the voice of any close relative.
As I was getting off his table today, my acupuncturist said, “Remember. Water is your friend. Be sure to drink lots today.”
Checking my email when I got home, someone had sent me a link to an article about Governor Brown announcing a mandatory reduction in water use by California residents and businesses. There was a little video with the article, so I watched Jerry speak to the people of California as if we are idiots, which, collectively, we are. Jerry was performing on a meadow in the Sierras where, for the first time in the seventy-five years they’ve been measuring snow on that meadow, there is no snow on April Fools Day. Zero white stuff that makes water when it melts.
Several years ago I wrote a piece for the AVA entitled When Is It Done? in which I recounted my meeting with the poet William Everson in Santa Cruz circa 1971. I was hitchhiking on the coast highway, Everson picked me up, and being an aspiring writer and a devotee of his poet compatriot Philip Whalen, I asked William, formerly known as Brother Antoninus, a question I immediately regretted: how do you know when a poem is done?
Digging around for photos of my grandmother, I came across a black and white picture of me taken in 1969, a still shot from a student film made during my second and final year of college at UC Santa Cruz—when tuition was next to nothing. My decision to quit college was made easier than it would be today because housing in 1969 was cheap, work was easy to come by, and the economic obstacles to experimenting with being an artist were minimal, certainly compared to the economic realities of 2015.
As recently reported, Marcia and I are getting more airplay for our music on KVRF, a radio station in Palmer, Alaska, than we’ve had anywhere else in these United States, and our song getting the most play recently is “Goody’s Song” with lyrics based on a poem by my grandmother.
Leonard Nimoy, known to hundreds of millions of people as Spock, died recently at the age of eighty-three. My brother was a huge fan of Star Trek, the television show, and is a gifted impersonator of movie and television celebrities. In high school, he founded the student club STUD—Star Trek Underground Devotees. STUD meetings were essentially showcases for my brother to perform his original wacky versions of Star Trek episodes in which he imitated with uncanny verisimilitude every member of the crew of the starship Enterprise. His Spock was virtually indistinguishable from Nimoy’s Spock.
When I was a kid we used the word tons to mean lots. I have tons of baseball cards. You have tons of friends. This week, however, I really did move tons of books, eighty big heavy boxes, of my self-published opuses Buddha In A Teacup and Under the Table Books, from the warehouse where I was paying to store them, to our house, which now resembles a UPS shipping center.
When Marcia and I got together eight years ago, we embarked on a fascinating process of making a studio album with the help of Peter Temple, the recording savant of Albion. I played guitar and piano and sang, Marcia wrote and arranged and played gorgeous cello parts for our original tunes, and the late great Amunka Davila supplied tasty percussion. The project took several months longer than I thought it would and used up most of the money I’d set aside for such creative endeavors.