Earth Of Foxes
by Todd Walton, July 31, 2013
“‘Men have forgotten this truth,’ said the fox. ‘But you must not forget it. You become responsible forever for what you have tamed’.” — Antoine de Saint-Exupery
“The baby foxes are here again,” says Marcia calling to me from her studio across the hallway from my office.
We have a large old plum tree growing on the north side of our house, and in this first year of our residency the tree has gifted us with several hundred sweet red plums, which are ambrosia to deer, appealing to squirrels, and irresistible to a trio of baby foxes who visit the tree daily, scampering around in the branches like monkeys and going way out on the spindly limbs to get at the fruit. There is nothing I would rather do than stand in our living room and watch these tiny foxes, aptly called kits, climbing around in our plum tree doing their utmost to reach the sugary orbs.
Speaking of aptly named, the little canids have inspired me to read a bit about foxes, and among the many things I’ve learned about these delightful creatures is that one of the names for a group of foxes is an earth of foxes. Other expressions for gangs of foxes are a skulk of foxes, a leash of foxes, and a troop of foxes, but I much prefer an earth of foxes for the implication of what the earth once was and might be again if only humans would stop fracking and over-populating and despoiling everything.
Where did the expression an earth of foxes come from? According to my trusty Oxford English Dictionary, one of the definitions of earth is the underground lair of an animal. Since a fox den can also be called an earth, and since almost all groups of foxes are composed of family members, it would follow that a group of foxes emerging from the same earth within the earth might poetically be called an earth of foxes.
“All the intelligence and talent in the world can’t make a singer. The voice is a wild thing. It can’t be bred in captivity. It is a sport, like the silver fox. It happens.” — Willa Cather
Curious about Willa Cather’s use of the word sport in the above quote, I looked up the word and found she used sport to mean a surprising mutation, an animal that deviates markedly from its parent stock.
We have been trying to think of a good name for our two-acre homestead ever since we moved here nine months ago, but nothing struck a loud and unanimous chord until the baby foxes arrived and we realized there is an earth nearby where the little cuties were born. Given that our house and land sit in something of a hollow, we have settled on the name Fox Hollow, which, if not particularly original, sounds just right to us.
Speaking of foxes in the plum tree, Marcia has now produced twenty jars of delectable plum jam from plums that the foxes, squirrels, and deer were unable to reach before I picked them. The labels on the jars read Fox Hollow Plum Jam, July 2013, Marcia & Todd. What a tree! Who knew? Well, the deer and the squirrels and the foxes knew, and now we know, too.
“It’s the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.” — Andy Warhol
When I was a little boy and people asked me what I wanted to be when I grew up, I usually answered cowboy or dump truck driver. I pronounced cowboy gowboy and dump truck drive dump twuck dwivoo. When I was twelve-years-old I saw Jacques Cousteau’s then-amazing movie The Silent World and became so enamored of Monsieur Cousteau and his oceanic adventuring that I decided to become a marine biologist. By sixteen I knew without a doubt that I wanted to be a writer musician actor movie director, but in order to appease my parents who disapproved of such frivolity I told them and their inquiring friends that I wanted to be an anthropologist. I then dutifully majored in Anthropology during my brief stay in college, though I spent most of my time at UC Santa Cruz playing basketball, throwing the Frisbee, and writing poetry and short stories.
When I left the womb of academia and parental support, I began to write novels and practice the art of screenwriting. I was an avid moviegoer and considered seeing movies on the big screen a fundamental part of my life, not only because I was an aspiring moviemaker, but because the great movies of the 1960’s and 70’s were exciting and inspiring myths that helped fuel the counter culture in that revolutionary time. A Thousand Clowns, If, King of Hearts, Coming Home and dozens of other popular motion pictures gave us fascinating stories and compelling visions of men and women stepping away from the suffocating conventions of the old world order into much less restricted lives, an ethos that rejected militarism and stifling sameness and sexism and racism, while promising…well, we would find out!
I was determined to carry on the great tradition of humanist film artists who used this most powerful medium to show us possible ways we might live and relate to each other more lovingly and creatively as we roamed the cosmos on spaceship earth. Movies, the ones I loved and the ones I aspired to make, were heart-opening visions of personal change and resurrection starring all kinds of different kinds of people shaking off the powerful controls of their selfish lizard brains to escape the clutches of our violent greedy lizard-brained society and become emotionally, psychically and sexually liberated lovers with great senses of humor who walked lightly and tenderly upon the blessed earth.
As you undoubtedly have noticed, the lizard-brained humanoids who now control mainstream media as well as most of the side streams, no longer allow movies modeling social revolution and sharing the wealth and living lightly on the earth and rejecting materialism and embracing gender and racial equality into your nearby multiplex or onto your television screen or computer screen or phone screen. No, the movies we are allowed to see today are the quantum opposite of those movies we went to in the 1960’s and 70’s and inspired many of us to break away from the deadly gray sameness and stultifying hierarchies that ruled America in the 1950’s.
When my first novel Inside Moves was published in 1978 and was subsequently made into a film, I made the erroneous assumption that more of my novels and screenplays would soon become movies, too. But while two other works of mine, Forgotten Impulses and Louie & Women came tantalizingly close to being filmed, nothing more of mine has ever (yet) reached the silver screen or any other sort of screen.
However, despite the twenty-year delay in selling my growing stack of novels and screenplays, I have continued to write scripts and books I think will make fabulous movies. Indeed, just last week, hungering as I often do for a good new movie, and finding nothing of the kind to eat, I put on a little film festival and read five of my screenplays in three days, watching those movies on my mind screen as I turned the pages. Wow! They were exactly the kinds of movies I long to see. No wonder I wrote them.
Having made a multi-year study of the current movie scene by watching movie trailers on my computer, while skipping hundreds of trailers for horror movies, I know perfectly well why none of my scripts and stories have yet to attract anyone with sufficient clout and cash to make them. My movies are not about super heroes, vampires, zombies, murderers, gangsters, morons, aliens, bimbos, or materialistic narcissists and amoral sociopaths and their hapless victims. They do not feature painfully shallow dialogue, car chases, massive gunfire and explosions, the constant objectification of women, gratuitous violence, or toilet jokes. Instead, they model challenging funny sad dangerous transits through and away from the emptiness of self-serving separateness into the emotional and spiritual fullness that manifests when we share our wealth, whatever our wealth may consist of.
Our plum tree would make a perfect recurring symbol in a movie I long to see. The leafless branches in winter giving way to the nascent buds of early spring leading to the fabulous eruption of blooms followed by the coming of the leaves, the fruit, the green orbs turning yellow and finally red, the myriad creatures sharing the fabulous bounty of the earth—a little fox balanced on the branches at the very top of the tree and dropping plums down to his runty sibling—thunder sounding in the distance on this fabulous earth of foxes.
Todd Walton’s novel Inside Moves is now available in a beautiful new paperback edition at Gallery Books in Mendocino and at Mendocino Book Company in Ukiah. Todd’s web site is UnderTheTableBooks.com.