by Todd Walton, January 8, 2013
“If there’s a book you really want to read but it hasn’t been written yet, then you must write it.” -- Toni Morrison
They haunt me, the dozens of novels and novellas and stories I’ve written that have never been published—those relatively few survivors of my periodic assaults on bookshelves freighted with my collected unpublished fiction, each manuscript a Sleeping Beauty, alive yet so deeply asleep she might as well be dead; her only hope the kiss of some fairy tale publisher prince or princess who discovers the comatose fable despite the impenetrable forest surrounding her and despite the curses of the wicked witches and sorcerers and evil schmucks who rendered her, for all intents and purposes, lifeless.
“Why do you think we chose to speak ourselves through you, Todd?” ask the stories and novellas and novels and plays and screenplays. “So you would give birth to us and spend years shaping us and then pile us on your shelves to collect dust until you murder us? No! We chose you to bring us into the world so we can do our work—the work of inspiration and healing and love. How can you leave us here, moldering in our living graves?”
“Well,” I retort, “you cannot say I haven’t tried with all my might and guile (such as they are) for the better part of my sixty-three years to bring you to a larger audience, larger, that is, than the few friends I’ve shared you with. I’ve spent whatever money I managed to accrue to make copies of you and mail you to myriad publishers and magazines of every size and shape, and I have kissed the asses of far too many so-called literary agents who wouldn’t know a work of literature if it bit them on their much-kissed butts. And I have managed to publish several books and stories, however brief their appearances in bookstores and on the literary stage. I’ve even self-published two of my most vociferous volumes—Buddha In A Teacup and Under the Table Books—and gone bankrupt in the process. So you cannot say I haven’t tried.”
Still, they haunt me, my unpublished works, especially the ones most recently born. The older manuscripts rarely shout at me these days, but the books I’ve written in the last decade, they squawk and yell as I walk by them or when I see their titles in the Writing folder on the screen of my computer. “Todd! What have you done today to find my publisher, to share me with your society, to bring my boon to the world? I’ve got work to do, people to touch, minds and hearts to open. What’s holding up the show? I’m ready!”
“Fiction reveals truths that reality obscures.” -- Jessamyn West
My most recent work of fiction (longer than a short story) is a novella entitled Oasis Tales of the Conjuror, a book I feel certain would be a big help in the crusade to save our planet while providing exciting and gratifying entertainment for millions of readers. Here is the brief synopsis that has accompanied my submissions of the manuscript to publishers hither and yon.
Oasis Tales of the Conjuror tells the story of Anza, a clairvoyant, and his family and friends who live in a walled oasis in a time of relative peace following an era of apocalyptic war and famine. The tiny paradise is home to artisan farmers and is remarkably self-sustaining. Allied to a great city, the oasis is on the brink of new disaster as its population begins to outstrip its food supply. Through a series of connected tales, Anza and the people of the oasis must overcome escalating challenges to their continuance, which they do in exciting and creative and harmonious ways. The tales are humorous, dramatic, and mysterious, driven by the imperatives of community, love, and survival.
I have now sent the manuscript to twenty publishers—small, medium, and large—as well as to three so-called literary agents, and the swift and universal response has been, “Never!” However, the thirty copies I gave to friends and my most clamorous readers elicited quite the opposite response. “Yes! You must publish this book! Couldn’t put it down! Riveting, gorgeous, powerful, important! Quick! There’s not a moment to lose!”
Ah, but that is the great divide I have encountered all my life—the responses of far-thinking and creative people as opposed to the responses of publishers. “So, Todd,” say more and more of my correspondents of late, “if the old ways won’t serve you, why don’t you publish Oasis Tales of the Conjuror as an e-book available online, and help save the world that way?” To which I reply, “I am such a colossal techno doofus, I not only don’t know how to do such a thing, I would be incapable of doing so even if I theoretically knew how. Besides, how would anyone know the book exists simply because I’ve added it to the billions of other e-things collecting digital dust in the ethers?”
That said, I do resonate with the idea of posting Oasis Tales of the Conjuror on my web site so people can read the story and send a link to their friends, though I still think an actual three-dimensional version of the book would be the best way for the tale to live in the world. To that end, I suppose I could make photocopies for those who wish to read hard copy (and pay for such) and post the manuscript online for people to read. That would eliminate the possibility of earning any money for my work, but given the urgency of the ecological and economic crises confronting us, perhaps aspiring to earn money while trying to help save the world is counter-productive if not downright silly.
“If history were taught in the form of stories, it would never be forgotten.” --Rudyard Kipling
Though I began to sell my short stories to men’s and women’s magazines in the 1970’s through the tireless efforts of the late great Dorothy Pittman, a saint disguised as a literary agent, and I eventually published several novels with big New York publishers and made my living as a novelist and screenwriter for some years, I continued to submit my short stories to literary magazines. Through thick and thin, success and failure, minor renown and major anonymity, I have never ceased to send my stories to itsy bitsy magazines and great big famous magazines and every size of magazine in between—for nearly fifty years. I would guesstimate I have now mailed (snail mail) over three thousand packets of stories to editors at hundreds of magazines and have made another three hundred electronic submissions since the advent of the interweb, yet I have never had a single one of those stories accepted for publication. True, I have published stories in a few little literary magazines, but those were stories solicited by editors who were fans of my writing or were introduced to my work by mutual acquaintances.
Just today, for instance, I received three rejections of stories I submitted electronically to so-called literary magazines, and I received a rare snail mail rejection (a form letter in the self-addressed stamped envelope I included with my submission) of a story I was sure would be taken by a miniscule quarterly with a circulation of seventy-five—photocopied, folded, and stapled in the editor’s garage. The form rejections from all these magazines said the same thing: Due to the thousands of stories and poems we receive each week, we regret that we cannot respond personally to your submission. Even so, how could they not want my stories? Such funny and piquant and timely tales, and I was absolutely certain that…
But then I have always been absolutely certain that every story and novel and novella and play and screenplay I have ever sent out is going to be published or produced or filmed. Indeed, over the decades, through agents and on my own, I have submitted more than a hundred short stories and humorous essays to the New Yorker, and with each and every submission I have been absolutely certain that my phone will ring (any minute now) and some wonderful guy or gal New Yorker editor (smart and funny and good) will say, “Todd, Todd, Todd. This is such a great story. Gads! (I just know they’ll use the word gads.) Where have you been all our lives?” Which is a question I will take great delight in answering.
And over the course of those same decades, I have had my astrological chart interpreted by four different astrologers, and each of those seers noted something in my chart indicating that the sun and the moon and the planets have collaborated with the earth to predispose me to be preternaturally optimistic, no matter what befalls me. This astrological indicator is, so far, one of only two plausible explanations for why, despite the formidable and ever-growing odds against me, I continue to campaign on behalf of my unpublished works. The other explanation is that several times in my life, and always just as I am about to give up the fight, someone writes or calls to let me know that my words got through to them and they were moved to reach out to me.
Todd Walton’s web site, full of neato free stuff to read and listen to, is UnderTheTableBooks.com.